{"id":15626,"date":"2023-10-24T13:34:18","date_gmt":"2023-10-24T11:34:18","guid":{"rendered":"https:\/\/finelife.tv\/fr\/?p=15626"},"modified":"2025-05-30T14:28:14","modified_gmt":"2025-05-30T12:28:14","slug":"expo-mamma-andersson-lart-de-ladieu","status":"publish","type":"post","link":"https:\/\/finelife.tv\/fr\/2023\/10\/24\/expo-mamma-andersson-lart-de-ladieu\/","title":{"rendered":"Expo Mamma Andersson l’art de l’adieu"},"content":{"rendered":"
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Expo Mamma Andersson l’art de l’adieu. Dans Adieu Maria Magdalena l’artiste su\u00e9doise explore la perte, la m\u00e9lancolie dans des int\u00e9rieurs habit\u00e9s par des objets intimes ou bien ouverts sur la nature en jouant avec des perspectives dans les perspectives. Les \u0153uvres nous immergent dans un temps aux fronti\u00e8res floues qui d\u00e9sorientent pour mieux r\u00e9veiller nos affects<\/strong>.<\/p>\n\n\n\n

Le titre donne le ton. Celui d’une fin. La fin d’un temps. Le temps o\u00f9 Mamma Andersson habitait pr\u00e8s d’une \u00e9glise du XVIIe si\u00e8cle, Maria Magdalena, situ\u00e9e au centre d’un quartier de Stockholm. L’artiste, laur\u00e9ate du prix Guerlain pour le dessin contemporain, travaille les affects. Le rendu est une m\u00e9lancolie d\u00e9cal\u00e9e, flottante, dont la puissance est assur\u00e9e par un travail sur les perspectives ainsi que par des objets \u00e9voquant le th\u00e9\u00e2tre, les mythes, le quotidien flout\u00e9. Ici des masques, l\u00e0 des m\u00e9daillons, l\u00e0 encore des miroirs ou des mains de mannequins. \u00ab\u00a0Tous les objets sont les miens. Je les ai trouv\u00e9s ou re\u00e7us en cadeau\u00a0\u00bb explique Mamma Andersson \u00ab\u00a0Cette exposition est tr\u00e8s personnelle\u00a0\u00bb. On y trouve en effet aussi bien ses centres d’int\u00e9r\u00eat que ses fragments de vie pass\u00e9e. Et bien s\u00fbr l’imaginaire de la cr\u00e9atrice indiqu\u00e9 par les miroirs. Un monde tr\u00e8s inspir\u00e9 par les \u00e9nigmatiques sc\u00e8nes d’int\u00e9rieurs du peintre danois Vilhem Hammersh\u00f8i.<\/p>\n\n\n\n

Mamma Andersson : sorci\u00e8re de la composition<\/h2>\n\n\n\n

D’embl\u00e9e le vide. Le tableau \u00ab\u00a0Adieu Maria Magdalena\u00a0\u00bb travaille la repr\u00e9sentation afin de jouer sur les \u00e9motions. On y d\u00e9couvre un paravent dont les panneaux repr\u00e9sentent des vues d\u2019int\u00e9rieurs inhabit\u00e9s et les r\u00e9currentes mains de mannequins. Ces mains ouvertes \u00e0 terre installent une sorte de sentiment de vide, de perte du pass\u00e9, celui de la vie dans le quartier de Maria Magdalena.<\/p>\n\n\n\n

Les int\u00e9rieurs de Mamma Andersson alternent le huit clos et l’ouverture vers des paysages su\u00e9dois : lacs, for\u00eats, montagnes. On retrouve la touche subtile de Carl Frederik Hill. Mais l’ouverture ne fait in fine que renforcer le sentiment d’espace domestique ferm\u00e9 ou fig\u00e9 voire de claustrophobie. Ce sentiment d’\u00e9tranget\u00e9 domestique tient notamment au jeu des perspectives. Des murs en coin, des murs face \u00e0 des murs, des murs et des \u00e9tag\u00e8res ou encore des murs et des objets h\u00e9t\u00e9roclites mais toujours porteurs de symbolisme et d’\u00e9motions comme les miroirs ou les masques. Mamma Andersson est une sorci\u00e8re de la composition.<\/p>\n\n\n\n

Pr\u00e9sence textile<\/h2>\n\n\n\n

Dans l’exposition \u00ab\u00a0Adieu Maria Magdalena\u00a0\u00bb, Mamma Andersson pr\u00e9sente des \u0153uvres sur toile. Elle s’attache aux superpositions de couleurs. \u00ab\u00a0Regardez de profil vous verrez des endroits o\u00f9 les couches forment des pro\u00e9minences\u00a0\u00bb sugg\u00e8re l’artiste su\u00e9doise. Sur le mur paysage de \u00ab\u00a0Quel bordel\u00a0\u00bb et sur le motif du m\u00e9daillon on remarque aussi un travail m\u00e9ticuleux au rendu textile. \u00ab\u00a0Armageddon\u00a0\u00bb repr\u00e9sente d’ailleurs une grande broderie suzani pr\u00e9sente chez l’artiste. <\/p>\n\n\n\n

Une expo \u00e0 voir pour sa puissance \u00e9motionnelle et son interpr\u00e9tation de l’univers Vilhem Hammersh\u00f8i.<\/p>\n\n\n\n

<\/p>\n\n\n

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Adieu Maria Magdalena 2023 -Mamma Andersson<\/figcaption><\/figure>\n<\/div>\n\n
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Armageddon 2023 -Mamma Andersson @Zwirner<\/figcaption><\/figure>\n<\/div>\n\n
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Speculo Oculo II 2023 – Mamma Andersson<\/figcaption><\/figure>\n<\/div>\n\n
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Willy Nilly 2023 – Mamma Andersson<\/figcaption><\/figure>\n<\/div>\n\n
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Li\u00e8vre mort d’Ehrenstrahl 2023 -Mamma Andersson<\/figcaption><\/figure>\n<\/div>\n\n
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Misunterstood 2023 – Mamma Andersson<\/figcaption><\/figure>\n<\/div>\n\n
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Behind the masqs – Mamma Andersson<\/figcaption><\/figure>\n<\/div>\n\n
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Ohh deer 2023 – Mamma Andersson<\/figcaption><\/figure>\n<\/div>\n\n
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Quel bordel 2023 – Mamma Andersson<\/figcaption><\/figure>\n<\/div>\n\n\n

INFOS<\/h2>\n\n\n\n

Galerie David Zwirner <\/a><\/strong>: 108 rue Vieille du Temple, 75003 Paris<\/p>\n\n\n\n

Jusqu’au 18 novembre <\/p>\n\n\n\n

Related article Expo Mamma Andersson l’art de l’adieu<\/p>\n\n\n\n

Prix Guerlain pour le dessin contemporain 2018 : laur\u00e9ate Mamma Andersson<\/strong><\/a><\/p>\n\n\n\n

Exposition Rapha\u00eblle Peria la nature et l\u2019oubli<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Expo Mamma Andersson l’art de l’adieu. Dans Adieu Maria Magdalena l’artiste su\u00e9doise explore la perte, la m\u00e9lancolie dans des int\u00e9rieurs qui nous immerge dans un temps aux fronti\u00e8res floues et qui r\u00e9veille nos affects<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[22,4349,59,2418,902,4348],"class_list":["post-15626","post","type-post","status-publish","format-standard","hentry","category-blog","tag-art","tag-artiste-suedoise","tag-dessin","tag-galerie-zwirner","tag-mamma-andersson","tag-suede"],"yoast_head":"\nExpo Mamma Andersson l'art de l'adieu - FineLife.tv<\/title>\n<meta name=\"description\" content=\"Expo Mamma Andersson l'art de l'adieu. 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