{"id":20787,"date":"2024-11-01T12:06:07","date_gmt":"2024-11-01T11:06:07","guid":{"rendered":"https:\/\/finelife.tv\/fr\/?p=20787"},"modified":"2025-11-13T12:47:09","modified_gmt":"2025-11-13T11:47:09","slug":"expo-la-fondation-henri-cartier-bresson-interroge-lidentite-et-la-trace","status":"publish","type":"post","link":"https:\/\/finelife.tv\/fr\/2024\/11\/01\/expo-la-fondation-henri-cartier-bresson-interroge-lidentite-et-la-trace\/","title":{"rendered":"Expo la Fondation Henri Cartier-Bresson interroge l\u2019identit\u00e9 et la trace"},"content":{"rendered":"\n
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Expo La Fondation Henri Cartier-Bresson interroge l\u2019identit\u00e9 et la trace avec Mame-Diarra Niang \u00ab\u00a0Remenber to Forget\u00a0\u00bb et Raymond Meeks \u00ab\u00a0The Inhabitants\u00a0\u00bb<\/strong>.<\/p>\n\n\n\n

\u00c0 travers flous, halos, distorsions, petits et grands formats, la photographe lyonnaise Mame-Diarra Niang entend extraire le corps noir des repr\u00e9sentations communes. \u00ab\u00a0Remembrer to Forget\u00a0\u00bb donne \u00e0 voir des taches color\u00e9es aussi lumineuses qu\u2019ind\u00e9finissables. Les clich\u00e9s, tir\u00e9s des \u00e9crans, constituent un flux, reflet d\u2019une identit\u00e9 en mouvement. \u00ab\u00a0Remembrer to Forget\u00a0\u00bb est la premi\u00e8re exposition monographique de la photographe en France. <\/p>\n\n\n\n

Remember to Forget<\/strong> : questionner l’identit\u00e9<\/h2>\n\n\n
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Dans la premi\u00e8re salle de cette exposition de la Fondation Henri Cartier-Bresson, la plus petite, des petits formats centr\u00e9s sur l’Afrique du Sud. Une correspondance peut-\u00eatre entre le contenu et le contenant. Chaque photo aux contours tr\u00e8s \u00e9tir\u00e9s s’accompagne de textes courts. Ensuite, une sorte d’alc\u00f4ve avec deux grands formats. Un avant-go\u00fbt, une initiation peut-\u00eatre aussi, \u00e0 l’explosion des \u0153uvres dans la grande salle. Un espace, o\u00f9 selon l’angle o\u00f9 l’on observe, des poteaux blancs aux contours d\u00e9finis encadrent des clich\u00e9s super vitamin\u00e9s et flous. Cette derni\u00e8re s\u00e9rie, \u00c6ther (2024,) est pr\u00e9sent\u00e9e pour la premi\u00e8re fois en France.<\/p>\n\n\n

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\u00ab\u00a0Je suis ce flou\u00a0\u00bb d\u00e9clare Mame-Diarra Niang. Un flou qui permet d’effacer une m\u00e9moire st\u00e9r\u00e9otyp\u00e9e et d’ouvrir les imaginaires. Les \u00ab\u00a0non portraits\u00a0\u00bb invitent ainsi \u00e0 ne pas oublier d’oublier les constructions et de rester perm\u00e9ables aux exp\u00e9riences. <\/p>\n\n\n\n

The Inhabitants : sur la trace des migrants<\/h2>\n\n\n
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De son c\u00f4t\u00e9 Raymond Meeks, photographe am\u00e9ricain laur\u00e9at du programme immersion de la Fondation Herm\u00e8s, propose une sorte de parcours urbex cibl\u00e9. Au sous-sol de la Fondation Henri Cartier-Bresson\u00a0\u00bb, l’exposition The Inhabitants\u00a0\u00bb s\u2019attache en effet aux traces laiss\u00e9es par les migrants dans les paysages du Nord de la France et de la fronti\u00e8re espagnole. Chaussure, couverture, veste oubli\u00e9e sur une branche \u2026 dessinent une g\u00e9ographie hostile. Notamment les abords inhospitaliers des axes d’autoroute, les bas c\u00f4t\u00e9s o\u00f9 r\u00e8gnent les ronces … Un flux de migration qui suit d’ailleurs souvent le cours des rivi\u00e8res. Un paysage des marges hant\u00e9 par la pr\u00e9sence d’un peuple d’\u00eatres marginalis\u00e9s. <\/p>\n\n\n

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INFOS<\/h2>\n\n\n\n

Fondation Henri Cartier-Bresson<\/a><\/strong><\/p>\n\n\n\n

Expositions Mame-Diarra Niang et Raymond Meeks du 9 octobre 2024 au 5 janvier 2025<\/p>\n\n\n\n

9, rue des Archives
75003 Paris
01 40 61 50 50<\/p>\n\n\n\n

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Art George Rouy les chairs floues<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

L’Exposition de la FHCB interroge l\u2019identit\u00e9 et la trace avec Mame-Diarra Niang \u00ab\u00a0Remenber to Forget\u00a0\u00bb et Raymond Meeks \u00ab\u00a0The Inhabitants\u00a0\u00bb<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[5093,68,3537,5091,5089,5090,3158,1958,168,5088],"class_list":["post-20787","post","type-post","status-publish","format-standard","hentry","category-blog","tag-corps-noir","tag-exposition","tag-fondation-henri-cartier-bresson","tag-identite-2","tag-mama-diarra-niang","tag-migrants","tag-migration","tag-photo","tag-photographie","tag-raymond-meeks"],"yoast_head":"\nExpo La Fondation Henri Cartier Bresson interroge l\u2019identit\u00e9 et la trace - FineLife.tv<\/title>\n<meta name=\"description\" content=\"Expo La Fondation Henri Cartier Bresson interroge l\u2019identit\u00e9 et la trace avec Mame-Diarra Niang "Remenber to Forget" et Raymond Meeks "The Inhabitants"\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/finelife.tv\/fr\/2024\/11\/01\/expo-la-fondation-henri-cartier-bresson-interroge-lidentite-et-la-trace\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Expo La Fondation Henri Cartier Bresson interroge l\u2019identit\u00e9 et la trace - 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