{"id":20818,"date":"2024-11-02T12:18:52","date_gmt":"2024-11-02T11:18:52","guid":{"rendered":"https:\/\/finelife.tv\/fr\/?p=20818"},"modified":"2024-11-02T17:34:11","modified_gmt":"2024-11-02T16:34:11","slug":"expo-le-paradis-pictural-de-tina-barney","status":"publish","type":"post","link":"https:\/\/finelife.tv\/fr\/2024\/11\/02\/expo-le-paradis-pictural-de-tina-barney\/","title":{"rendered":"Expo le paradis pictural de Tina Barney"},"content":{"rendered":"
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Expo le paradis pictural de Tina Barney au Jeu de Paume. Family Ties regroupe 55 tirages monumentaux et deux films en une vaste r\u00e9trospective qui comm\u00e9more 40 ans de carri\u00e8re<\/strong>. L’utilisation des grands formats int\u00e8gre le d\u00e9veloppement de nouveaux m\u00e9diums (cin\u00e9ma, pub). L’exposition de l’intime, lui, pr\u00e9figure le suraffichage du priv\u00e9 (t\u00e9l\u00e9r\u00e9alit\u00e9, r\u00e9seaux sociaux)<\/strong>.<\/p>\n\n\n\n

Des couleurs qui claquent, des int\u00e9rieurs surcharg\u00e9s, des objets aussi pr\u00e9sents que les humains, des paquets de g\u00e2teaux au premier plan, des tableaux de ma\u00eetre en arri\u00e8re plan -cadres dans des cadres-, des photos chor\u00e9graphi\u00e9es, des portraits fig\u00e9s \u2026 le Jeu de Paume met \u00e0 l\u2019honneur la photographe Tina Barney.<\/p>\n\n\n\n

Dans un d\u00e9luge de d\u00e9tails et de pixels ultra color\u00e9s, Family Ties portraitiste les classes ais\u00e9es am\u00e9ricaines et europ\u00e9ennes des ann\u00e9es 80. Tina Barney appartient \u00e0 ce milieu, conna\u00eet ses codes et ses rituels. Raison pour laquelle la photographe a commenc\u00e9 par capter en grand format l\u2019univers de sa famille et de ses amis de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration.<\/p>\n\n\n\n

L\u2019exposition, \u00e0 travers des photos de proches et des portraits de c\u00e9l\u00e9brit\u00e9s, cr\u00e9e un \u00ab paradis pictural \u00bb plein de tensions \u00ab\u00a0aux antipodes de l\u2019\u00e9den WASP incarn\u00e9 par un Ralph Lauren\u00a0\u00bb selon Quentin Bajac, directeur du Jeu de Paume.<\/p>\n\n\n\n

Tina Barney entre peinture et r\u00e9cit<\/h2>\n\n\n
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Autoportrait en imperm\u00e9able rouge 1990 <\/figcaption><\/figure>\n<\/div>\n\n\n

Tina Barney est n\u00e9e en 1945 \u00e0 New York d’une m\u00e8re mannequin et d’un p\u00e8re banquier d’affaires. Enfant, elle est initi\u00e9e \u00e0 la photographie par son grand- p\u00e8re maternel. Elle passe \u00e0 la cr\u00e9ation plus tard. Dans les ann\u00e9es 70 lorsqu\u2019elle d\u00e9m\u00e9nage avec sa famille dans l\u2019Idaho o\u00f9 elle vit jusqu\u2019\u00e0 son retour \u00e0 New York en 1983.<\/p>\n\n\n

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Nude#1123 1996<\/figcaption><\/figure>\n<\/div>\n\n\n

Le p\u00e8re de Tina est aussi collectionneur d’art. Les tableaux sont donc depuis toujours une seconde famille pour la photographe. Une famille riche et vari\u00e9e. Depuis les portraits de groupes du XVIIIe si\u00e8cle et la peinture hollandaise du XVIIe si\u00e8cle jusqu’aux impressionnistes et postimpressionnistes. Les premiers lui donnent le go\u00fbt du d\u00e9cor et du d\u00e9tail. Les autres lui inspirent les jeux sur l\u2019espace et la profondeur. Enfin Tina Barney entend cultiver l\u2019art de la mise en sc\u00e8ne et du r\u00e9cit, l\u2019ut pictura poesis, le rapprochement de la peinture, enfin ici du cadre, et du r\u00e9cit. Le cadre qui parle. L’influence de la peinture classique est affich\u00e9e directement avec Nude#1123. Une photographie de nus o\u00f9 elle travaille \u00ab\u00a0la texture la lumi\u00e8re produites par la peau\u00a0\u00bb. Ainsi le rappelle le cartel \u00e9crit par la photographe. Comme d’ailleurs beaucoup d’autres. Un parti-pris entre t\u00e9moignage et \u00ab\u00a0commissariat\u00a0\u00bb.<\/p>\n\n\n\n

Un monde de photos intime et th\u00e9\u00e2tral<\/h2>\n\n\n
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Family commission with snake 2007<\/figcaption><\/figure>\n<\/div>\n\n\n

Tina Barney cr\u00e9\u00e9 un style unique en concevant des images \u00ab\u00a0\u00e0 l\u2019intersection des instantan\u00e9s monumentaux- permis par l\u2019utilisation de la chambre photographique \u2013 et de l\u2019observation de la penture ancienne\u00a0\u00bb. Elle poursuit la tradition de la home photography avec un appareil sur tr\u00e9pied et des lumi\u00e8res artificielles.<\/p>\n\n\n\n

La sc\u00e9nographie qui pr\u00e9sente les \u0153uvres en suspension introduit \u00e0 la fois une appr\u00e9hension \u00e0 \u00ab\u00a0hauteur humaine\u00a0\u00bb et un jeu de cadres. Family ties r\u00e9unit 55 grands formats -120 par 160 cm-, des tirages \u00e0 grande \u00e9chelle r\u00e9alis\u00e9s par la photographe en couleur ou en noir et blanc. Dimension et hauteur immergent le public dans des sayn\u00e8tes de th\u00e9\u00e2tre, celui qui se joue \u00e0 l’int\u00e9rieur de toute famille.<\/p>\n\n\n

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Jill and Mom 1983 vue de l’exposition<\/figcaption><\/figure>\n<\/div>\n\n\n

L’exposition Family Ties explore en effet rites et traditions familiales (anniversaires, c\u00e9r\u00e9monies). Un motif r\u00e9current avec Theater of manners et The Europeans. Tina Barney capte le temps qui passe \u00e0 la mani\u00e8re d’une documentariste. \u00ab\u00a0Elle observe son milieu avec perplexit\u00e9. \u00ab\u00a0Est-ce ainsi que nous vivons?\u00a0\u00bb note Quentin Bajac. Une documentariste o\u00f9 la distance c\u00f4toie l’intime. On le constate en particulier avec la photo qui la met en sc\u00e8ne avec ses fils ou avec celle qui saisit sa s\u0153ur Jill et sa m\u00e8re.<\/p>\n\n\n

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Tim, Phil and I 1989 vue de l’exposition<\/figcaption><\/figure>\n<\/div>\n\n\n

Family ties montre aussi l’\u00e9volution de la photographe du portrait de groupe au portrait individuel. Une exp\u00e9rience plus compliqu\u00e9e avec une gamme chromatique plus sobre mais toujours une mise en distance. <\/p>\n\n\n\n

In fine, l’exposition du Jeu de Paume peut ainsi \u00eatre vue comme une famille d’images \u00e0 regarder comme un album intime et document\u00e9.<\/p>\n\n\n\n

Photo principale The Daughters 2002 vue de l’exposition<\/p>\n\n\n\n

INFOS<\/h2>\n\n\n\n

Exposition Family Ties – Tina Barney<\/p>\n\n\n\n

Jusqu’au 19 janvier 2025<\/p>\n\n\n\n

Jeu de Paume<\/a><\/strong><\/p>\n\n\n\n

Related article Expo le paradis pictural de Tina Barney au Jeu de Paume<\/strong><\/p>\n\n\n\n

Frank Horvat pose son regard sur la mode et le photoreportage au Jeu de Paume<\/a><\/strong><\/p>\n\n\n\n

Johan van der Keuken met en rythme le r\u00e9el au Jeu de Paume<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Expo le paradis pictural de Tina Barney au Jeu de Paume. Family Ties regroupe 55 tirages monumentaux et deux films en une vaste r\u00e9trospective qui comm\u00e9more 40 ans de carri\u00e8re centr\u00e9e sur une famille d’images.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[3202,68,5096,2585,1958,169,5095],"class_list":["post-20818","post","type-post","status-publish","format-standard","hentry","category-blog","tag-expo","tag-exposition","tag-familiy-ties","tag-jeu-de-paume","tag-photo","tag-photography","tag-tina-barney"],"yoast_head":"\nExpo le paradis pictural de Tina Barney - FineLife.tv<\/title>\n<meta name=\"description\" content=\"Expo le paradis pictural de Tina Barney au Jeu de Paume. 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