{"id":22188,"date":"2025-03-12T18:15:51","date_gmt":"2025-03-12T17:15:51","guid":{"rendered":"https:\/\/finelife.tv\/fr\/?p=22188"},"modified":"2025-11-09T19:39:20","modified_gmt":"2025-11-09T18:39:20","slug":"livre-oser-le-nu-le-female-gaze","status":"publish","type":"post","link":"https:\/\/finelife.tv\/fr\/2025\/03\/12\/livre-oser-le-nu-le-female-gaze\/","title":{"rendered":"Livre Oser le nu le female gaze"},"content":{"rendered":"
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Livre<\/strong> Oser le nu le female gaze. Camille Morineau dans un essai \u00e9rudit abondement illustr\u00e9 explore quatre si\u00e8cles d’histoire de l’art \u00e0 la recherche d’un regard f\u00e9minin<\/strong>. <\/p>\n\n\n\n

Au Centre Pompidou, l’exposition Suzanne Valadon interroge notamment le regard des femmes sur le nu masculin et f\u00e9minin. Les toiles de l’artiste refl\u00e8tent une approche du corps sans id\u00e9alisation, ni \u00e9rotisation. Par ailleurs ses nus d’homme abordent les sexes. Plus t\u00f4t, au XVIIe, si\u00e8cle Artemisia Gentileschi, l’une des peintres caravagesques les plus connues, peint \u00ab\u00a0Suzanne (nue) et les vieillards\u00a0\u00bb, un grand nu \u00ab\u00a0All\u00e9gorie d\u2019inclinaison\u00a0\u00bb ou encore Dana\u00e9. Dans Judith d\u00e9capitant Holopherne, c’est un homme qui se trouve nu et vuln\u00e9rable.<\/p>\n\n\n\n

Female gaze<\/h2>\n\n\n\n

Pendant longtemps les femmes artistes n’ont pas eu directement acc\u00e8s aux mod\u00e8les ou aux \u00e9coles. Mais elles avaient acc\u00e8s \u00e0 la culture et aux ateliers. Et elles ont bel et bien peint des nus. Alors y-a-t-il une female gaze ? \u00c0 travers d’abord des d\u00e9tails puis des combats et surtout un acc\u00e8s direct au corps, le leur ?<\/p>\n\n\n\n

Oui r\u00e9pond Camille Morineau dans son ouvrage Osez le nu Le nu repr\u00e9sent\u00e9 par les femmes artistes. Commissaire et conservatrice elle est aussi co-fondatrice de AWARE (Archives of Women Artists, Research and Exhibitions) l’association qui vise \u00e0 replacer les artistes femmes du XXe<\/sup> si\u00e8cle dans l’histoire de l’art. Camille Morineau a travaill\u00e9 pendant 2O dans les plus grands mus\u00e9es. Notamment au mus\u00e9e national d’Art moderne (MNAM) o\u00f9 elle a dirig\u00e9 l’exposition \u00ab\u00a0elles@centrepompidou\u00a0\u00bb.<\/p>\n\n\n\n

\u00ab\u00a0Dans cet essai je r\u00e9ponds \u00e0 la question qui m’a \u00e9t\u00e9 r\u00e9guli\u00e8rement pos\u00e9e au printemps 2009 par des journalistes et des visiteurs de l’exposition. Pourquoi y a-t-il si peu de nus d’hommes parmi ces \u0153uvres d’artistes femmes ?\u00a0\u00bb pr\u00e9cise l’autrice en introduction du livre. <\/p>\n\n\n\n

En regard, une \u0153uvre des Guerrilla Girls qui demande \u00ab Do women have to be naked to get into the Met.Museum ? \u00bb<\/p>\n\n\n\n

D’une mani\u00e8re g\u00e9n\u00e9rale Camille Morineau questionne \u00ab\u00a0N’est-ce pas nous, collectivement, qui n’avons pas su, et ne savons toujours pas, regarder le nu vu par les femmes ?<\/p>\n\n\n\n

Quatre si\u00e8cles de nus<\/h2>\n\n\n\n

L’autrice explore alors quatre si\u00e8cles d’histoire de l’art. Du XVIe au XXe si\u00e8cle. Une plong\u00e9e vertigineuse qui d\u00e9place le regard et fait passer les femmes de mod\u00e8les (sujets repr\u00e9sent\u00e9s) \u00e0 artistes (sujets repr\u00e9sentants). <\/p>\n\n\n\n

Dans son essai tr\u00e8s \u00e9rudit Camille Morineau convoque des ic\u00f4nes. Hildegarde von Bingen, Artemisia Gentileschi, Imogen Cunningham, Paula Modersohn-Becker, Suzanne Valadon, Amrita Sher-Gil, Tarsila do Amaral, Faith Ringgold, Martha Rosler, Cindy Sherman, Louise Bourgeois, Alice Neel. En couverture la fantastique photo Dawn d’Alice Boughton. Un nu \u00e0 la pomme de dos.<\/p>\n\n\n\n

La palette des th\u00e8mes est tr\u00e8s vari\u00e9e. De la mort \u00e0 l’\u00e9rotisme notamment. Eros et thanatos. Avec cette double page qui en met en \u00e9cho une sc\u00e8ne d’amour dessin\u00e9e par K\u00e4athe Kollwitz et le troublant Sorg et ses deux femmes pr\u00e8s d’une croix d’Anna Ancher. Ou encore, toujours de K\u00e4athe Kollwitz, les nus morts, souffrants et christiques du prol\u00e9tariat. Camille Morineau montre des sexes d’homme en repos (Leonor Fini Portrait de Nico) ou en \u00e9rection (Orlan l’Origine de la guerre, Nan Goldin Body Masturbating). Des vagins aussi. Et des regards LBGBT, f\u00e9ministes et noirs (Celeste Woss y Gil, Tarsila do Amaral, Faith Ringgold) sur le nu.<\/p>\n\n\n\n

Chaque nu peint par une artiste femme refl\u00e8te l’\u00e9poque. Une \u00e9poque qui parfois oublie. C’est ce que rappelle Camille Morineau. L’histoire a oubli\u00e9 les femmes artistes c\u00e9l\u00e8bres dans leur si\u00e8cle. <\/p>\n\n\n

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INFOS<\/h2>\n\n\n\n

Osez le nu le nu repr\u00e9sent\u00e9 par les artistes femmes<\/strong><\/p>\n\n\n\n

Camille Morineau<\/p>\n\n\n\n

\u00c9ditions Flammarion<\/a><\/strong><\/p>\n\n\n\n

Related article Livre<\/strong> Oser le nu le female gaze<\/strong><\/strong><\/p>\n\n\n\n

Photographies au saut du lit m\u00e9ditations horizontales<\/a><\/strong><\/p>\n\n\n\n

Exposition Suzanne Valadon l\u2019audacieuse \u00e0 Beaubourg<\/a> <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Livre Oser le nu le female gaze. Camille Morineau dans un essai \u00e9rudit abondement illustr\u00e9 explore quatre si\u00e8cles d’histoire de l’art \u00e0 la recherche d’un regard f\u00e9minin<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[22,3305,5300,3481,5297,5298,3354,1663,3643,5296,5301],"class_list":["post-22188","post","type-post","status-publish","format-standard","hentry","category-blog","tag-art","tag-beau-livre","tag-camille-morineau","tag-editions-flammarion","tag-femme-art","tag-femme-nu","tag-histoire-de-lart","tag-livre","tag-livre-art","tag-oser-le-nu","tag-valadon"],"yoast_head":"\nLivre Oser le nu le female gaze - FineLife.tv<\/title>\n<meta name=\"description\" content=\"Livre Oser le nu le female gaze. 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