{"id":23837,"date":"2025-06-27T18:41:38","date_gmt":"2025-06-27T16:41:38","guid":{"rendered":"https:\/\/finelife.tv\/fr\/?p=23837"},"modified":"2026-04-17T12:53:35","modified_gmt":"2026-04-17T10:53:35","slug":"art-les-laureates-du-prix-aware-au-frac-reims","status":"publish","type":"post","link":"https:\/\/finelife.tv\/fr\/2025\/06\/27\/art-les-laureates-du-prix-aware-au-frac-reims\/","title":{"rendered":"Art les laur\u00e9ates du prix Aware au FRAC Reims"},"content":{"rendered":"
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\"\"<\/figure>\n<\/div>\n\n\n

Art les laur\u00e9ates du prix Aware au FRAC Reims. L’exposition \u00ab\u00a0Trajectoires que je suis\u00a0\u00bb rassemble 10 laur\u00e9ates, souvent pionni\u00e8res et militantes, pour les 10 ans du prix<\/strong>.<\/p>\n\n\n\n

\u00c0 l’entr\u00e9e, une affiche, entre t\u00e9moignage et manifeste, donne le ton. \u00ab\u00a0C’est un dur m\u00e9tier que l’exil\u00a0\u00bb en lettres rouges sur un ensemble de photos num\u00e9riques aux couleurs plus ou moins effac\u00e9es. Nil Yalter, n\u00e9e en 1938 au Caire (\u00c9gypte), emprunte ce titre au po\u00e8te N\u00e2zim Hilmet. C’est aussi l’\u00e9l\u00e9ment d’un plus vaste ensemble repr\u00e9sentant des familles turques-kurdes travaillant clandestinement dans les ateliers textiles du Sentier \u00e0 Paris. Lion d’or \u00e0 la Biennale de Venise 2024, la plasticienne fait partie des laur\u00e9ates du prix d’honneur Aware. Une distinction qui r\u00e9compense les artistes femmes ayant plus de 40 ans de carri\u00e8re. Un prix qui f\u00eate ses dix ans et r\u00e9unit 10 artistes, dont un duo. Leur point commun, venir d’ailleurs, \u00eatre pionni\u00e8res et engag\u00e9es dans une certaine militance.<\/p>\n\n\n

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Nil Yalter C’est un dur m\u00e9tier que l’exil 1983-2012<\/figcaption><\/figure>\n<\/div>\n\n\n

De grandes figures de l’art contemporain<\/h2>\n\n\n\n

Parmi les artistes de l’exposition \u00ab\u00a0Trajectoires que je suis\u00a0\u00bb, d’autres \u00ab\u00a0stars\u00a0\u00bb comme Laura Lamiel (1943 Morlaix -Bretagne), seule laur\u00e9ate \u00e0 \u00eatre n\u00e9e en France. Elle propose Oz\u00f4, une \u0153uvre faite de minuscules grains d’encens dor\u00e9s. Sur le tapis, des objets trouv\u00e9s. Une constante de la plasticienne qui en fait des installations, les transforme en sculptures, en paysages. Toujours avec une \u00e9conomie de moyens, dans un art minimal.<\/p>\n\n\n

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Laura Lamiel Oz\u00f4 2018<\/figcaption><\/figure>\n<\/div>\n\n\n

Oz\u00f4, toute en horizontalit\u00e9, dialogue avec le totem de Barbara Chase-Riboud, \u00ab\u00a0Stand Black Wowen of Venice V.\u00a0\u00bb L’artiste sculptrice, \u00e9crivaine et voyageuse afro-am\u00e9ricaine (1939 Philadelphie-\u00c9tats-Unis) a les honneurs des plus grandes institutions. Elle a notamment \u00e9t\u00e9 expos\u00e9e dans 8 grands mus\u00e9es fran\u00e7ais en 2024. \u00ab\u00a0Cette st\u00e8le, hommage \u00e0 une po\u00e9tesse grecque, questionne aussi la m\u00e9moire afro-am\u00e9ricaine. Elle entend donner corps \u00e0 des corps, des m\u00e9moires tu\u00e9es\u00a0\u00bb estime le FRAC.<\/p>\n\n\n\n

Militances, exil, corps, \u00e9criture<\/h2>\n\n\n\n

Le corps et l’\u00e9criture constituent justement deux lignes rouges de l’exposition \u00ab\u00a0Trajectoires que je suis\u00a0\u00bb. apr\u00e8s l’exil et l’identit\u00e9 nationale. <\/p>\n\n\n\n

Le corps c’est notamment celui de cette danseuse orientale au ventre couvert de signes dans la vid\u00e9o performance de Nil Yalter. Selon le FRAC, l’\u0153uvre \u00ab\u00a0revendique le plaisir f\u00e9minin, d\u00e9nonce l’excision, notamment en Anatolie, et le patriarcat en g\u00e9n\u00e9ral\u00a0\u00bb. <\/p>\n\n\n

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Esther Ferrer M\u00e9tamorphoses 2025<\/figcaption><\/figure>\n<\/div>\n\n\n

La corps, on le retrouve aussi malicieusement dans les m\u00e9tamorphoses d’Esther Ferrer (1937 Saint-S\u00e9bastien Espagne) ou encore dans la performance o\u00f9 elle mesure chaque partie de son corps pour ensuite y inscrire les r\u00e9sultats. Un renvoi aux diktats de la beaut\u00e9 f\u00e9minine qui rappelle une vid\u00e9o de Chantal Akerman \u00ab\u00a0In the mirror – Je joue \u00e0 \u00eatre une femme mari\u00e9e\u00a0\u00bb. <\/p>\n\n\n\n

Le corps encore chez le duo form\u00e9 par Maria Klonaris (1948 Le Caire-\u00c9gypte 2014 Paris-France) et Katerina Thomadaki (1947 Ath\u00e8nes-Gr\u00e8ce), pionni\u00e8res de l’art visuel et th\u00e9oriciennes d’un \u00ab\u00a0cin\u00e9ma corporel\u00a0\u00bb questionnant les identit\u00e9s. De genre et de fonction puisqu’elles sont tour \u00e0 tour mod\u00e8le, actrice et metteuse en sc\u00e8ne.<\/p>\n\n\n\n

L’\u00e9criture c’est l’intime et le politique. Les lettres de ma m\u00e8re de Vera Moln\u00e1r (1924 Budapest- Hongrie 2023 Paris-France) partent d’une tr\u00e8s belle calligraphie pour se d\u00e9t\u00e9riorer au fil de la d\u00e9mence. L’artiste hongroise proche de l’abstraction g\u00e9om\u00e9trique et pionni\u00e8re de l’art algorithmique introduit avec l’ordinateur un d\u00e9sordre dans le flux qui devint compact. Le FRAC parle \u00ab\u00a0d’injonction \u00e0 l’erreur\u00a0\u00bb.<\/p>\n\n\n

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Marie Orensanz Trouver dans l’imagination 1989<\/figcaption><\/figure>\n<\/div>\n\n\n

De son c\u00f4t\u00e9 Judit Reigl (1923 Kapuv\u00e1r-Hongrie 2020 Marcoussin-France) travaille une \u00ab\u00a0\u00e9criture peinture\u00a0\u00bb tandis que Marie Orensanz (1936 Mar del Plata-Argentine) inscrit dans des \u00ab\u00a0cartes po\u00e9tiques\u00a0\u00bb dans le marbre de Carrare.<\/p>\n\n\n\n

<\/p>\n\n\n\n

D’une mani\u00e8re g\u00e9n\u00e9rale la FRAC et Aware parlent d’une \u00e9criture de l’histoire de l’art au XXe si\u00e8cle qui se r\u00e9invente pour \u00e9tablir une parit\u00e9. <\/p>\n\n\n\n

Association Aware <\/h2>\n\n\n\n

AWARE est une association co-fond\u00e9e en 2014 par Camille Morineau, historienne de l\u2019art sp\u00e9cialiste des artistes femmes. AWARE\u00a0 (Archives of Women Artists, Research and Exhibitions) a pour objet la cr\u00e9ation, l\u2019indexation et la diffusion de l\u2019information sur les artistes femmes du XVIIe<\/sup> au XXIe<\/sup> si\u00e8cle.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

INFOS<\/h2>\n\n\n
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\"\"<\/figure>\n<\/div>\n\n\n

Trajectoires que je suis, Laur\u00e9ates du prix d’honneur AWARE<\/strong><\/p>\n\n\n\n

Du 13 juin au 7 d\u00e9cembre<\/p>\n\n\n\n

Frac Champagne Ardennes<\/a><\/strong><\/p>\n\n\n\n

Association AWARE<\/a><\/strong><\/p>\n\n\n\n

Related article Art les laur\u00e9ates du prix Aware au FRAC Reims<\/strong><\/p>\n\n\n\n

Expo Chantal Akerman et les images <\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Art les laur\u00e9ates du prix Aware au FRAC Reims Champagne Ardennes. L’exposition \u00ab\u00a0Trajectoires que je suis\u00a0\u00bb rassemble 10 laur\u00e9ates, souvent pionni\u00e8res et militantes, pour les 10 ans du prix<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[22,448,5494,5498,5500,5499,5497,5496,5501,980],"class_list":["post-23837","post","type-post","status-publish","format-standard","hentry","category-blog","tag-art","tag-art-contemporain","tag-art-feministe","tag-association-aware","tag-barbara-chase-riboud","tag-femmes-artistes","tag-frac-champagne-ardennes","tag-laura-lamiel","tag-nil-yalter","tag-reims"],"yoast_head":"\nArt les laur\u00e9ates du prix Aware au FRAC Reims - FineLife.tv<\/title>\n<meta name=\"description\" content=\"Art les laur\u00e9ates du prix Aware au FRAC Reims Champagne Ardennes. 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