{"id":24921,"date":"2025-11-25T20:15:32","date_gmt":"2025-11-25T19:15:32","guid":{"rendered":"https:\/\/finelife.tv\/fr\/?p=24921"},"modified":"2025-11-28T13:16:09","modified_gmt":"2025-11-28T12:16:09","slug":"paris-photo-2025-urgence-climatique","status":"publish","type":"post","link":"https:\/\/finelife.tv\/fr\/2025\/11\/25\/paris-photo-2025-urgence-climatique\/","title":{"rendered":"Paris Photo 2025 urgence climatique"},"content":{"rendered":"
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Paris Photo 2025 urgence climatique. Une s\u00e9lection de photographes qui allient beaut\u00e9, imaginaire, technique et engagement \u00e9cologique.<\/strong><\/p>\n\n\n\n

La COP30 de Belem s’est referm\u00e9e sur un accord en demi-teinte. Toujours aucun engagement clair sur la sortie des fossiles, mais un triplement promis de l\u2019aide aux pays en premi\u00e8re ligne face au d\u00e9r\u00e8glement climatique.<\/p>\n\n\n\n

Sous la nef du Grand palais comme dans les coursives du secteur \u00c9mergences, les photographes multiplient les points de vue et les techniques pour appr\u00e9hender et sensibiliser sur les urgences. Urgence \u00e0 sauver la vie, le biotope, notre biotope. Urgence \u00e0 montrer la Beaut\u00e9.<\/p>\n\n\n\n

Tour d\u2019horizon des propositions. Une s\u00e9lection bas\u00e9e sur l\u2019originalit\u00e9, l\u2019engagement, la technique et l\u2019imaginaire<\/p>\n\n\n\n

Rapha\u00eblle Peria : platanes agonisants<\/h2>\n\n\n
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En 2025, la Picarde est laur\u00e9ate du BMW Art Makers pour son projet \u00ab\u00a0Travers\u00e9e du fragment manquant<\/em>\u00a0\u00bb qui immortalise l’\u00e9co-syst\u00e8me du Canal du Midi et ses platanes agonisants (Galerie Papillon<\/a><\/strong>). Sa technique : gravure et scraping uniques pour fusionner photos, dessins et impressions.<\/p>\n\n\n\n

Depuis dix ans, Rapha\u00eblle Peria (Amiens 1989– <\/strong>) traque l\u2019arbre parfait \u2013 celui qu\u2019on dessine enfant : une boule, deux traits. \u00c0 la pointe et au scalpel, elle sculpte ses images. Le blanc domine, couleur de l\u2019oubli et de la m\u00e9moire qui s\u2019efface. Les platanes du Canal du Midi, rong\u00e9s par le chancre color\u00e9, renaissent alors en reliefs spectraux. Hypnotique, presque murakamien. Avec son arbre cin\u00e9tique et ses paysages de silence, la m\u00e9moire du monde version Rapha\u00eblle Peria reste ind\u00e9niablement grav\u00e9e dans l\u2019esprit du spectateur. (Finelife TV Exposition Rapha\u00eblle Peria la nature et l\u2019oubli<\/a><\/strong>)<\/p>\n\n\n\n

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Rodrigo Braga for\u00eat en combustion<\/h2>\n\n\n
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De son c\u00f4t\u00e9 Rodrigo Braga \ud83c\udde7\ud83c\uddf7 (salonH<\/a><\/strong>) documente la destruction de la for\u00eat \ud83c\udf33amazonienne avec un onirisme chamanique. Ce fils de biologiste n\u00e9 au Br\u00e9sil (Manaus) en 1976 travaille entre Rio et Paris. \u00c0 Paris Photo, il pr\u00e9sente un solo show autour de l’exp\u00e9rience Pedra Latente<\/em>. Une confrontation entre corps et nature, corps et feu. Un feu destructeur mais peut-\u00eatre salvateur. Le clich\u00e9 de l’\u0153uf en flammes \u00e9voque en effet une possible renaissance. <\/p>\n\n\n\n

Chlo\u00e9 Milos Azzopardi r\u00e9sistance \u00e9cologique<\/h2>\n\n\n
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Chlo\u00e9 Milos Azzopardi (1994-Montserrat\/ Catalogne,) pr\u00e9sente \u00ab\u00a0Non Technological Devices<\/em> (Fisheye Gallery)<\/strong><\/a>. La s\u00e9rie met en sc\u00e8ne une r\u00e9sistance \u00e9cologique hybride o\u00f9 des proth\u00e8ses low-tech en mousse, racines et bois flott\u00e9 sont port\u00e9es sur des corps nu dans des paysages post-industriels ou br\u00fbl\u00e9s. Sa photo phare \u00ab L\u2019\u0153il qui pleure des graines \u00bb (photo d’ouverture) montre une grappe de graines de coquelicots qui s’approche dangereusement d’un \u0153il. On pense alors \u00e0 Bun\u016bel ou au surr\u00e9alisme. Mais la jeune artiste explique que cette image est en fait n\u00e9e d\u2019un rituel tr\u00e8s pr\u00e9cis. Elle ramasse les graines dans des friches urbaines menac\u00e9es de b\u00e9tonnage, les \u00ab greffe \u00bb sur son propre corps, puis pleure pour \u00ab les semer \u00e0 nouveau \u00bb via la larme. L\u2019id\u00e9e : si on d\u00e9truit leurs habitats, le seul endroit o\u00f9 ces plantes sauvages pourront encore pousser\u2026 c\u2019est sur nous.<\/p>\n\n\n\n

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Ioana C\u00eerlig plantes en survie<\/h2>\n\n\n
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N\u00e9e en 1987 \u00e0 Bucarest, Ioana C\u00eerlig (Anca Potera\u0219u Gallery<\/a><\/strong>) s’est form\u00e9e au cin\u00e9ma avant de devenir photojournaliste freelance. \u00c0 Paris Photo, sa qu\u00eate po\u00e9tique Accept All Happiness From<\/em> Me<\/em> s’articule autour d’une exploration des parcs nationaux roumains, jardins botaniques et for\u00eats carpathiques. Elle traque les plantes tenaces qui surgissent au milieu de d\u00e9chets plastiques ou de ruines industrielles puis les photographie en couleur douce pour souligner leur combat pour la survie. La d\u00e9marche s’inspire du folklore roumain des \u00ab\u00a0z\u00e2ne\u00a0\u00bb, les f\u00e9es protectrices de la nature. Entre imaginaire et documentation. Chaque image est en effet g\u00e9olocalis\u00e9e et assortie de notes sur les esp\u00e8ces menac\u00e9es et les impacts humains. Une ode r\u00e9siliente aux \u00ab\u00a0derni\u00e8res zones sauvages\u00a0\u00bb d’Europe de l’Est, loin du na\u00eff.<\/p>\n\n\n\n

Arno Rafael Minkkinen fusion corps nature <\/h2>\n\n\n
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Du noir et blanc pour Arno Rafael Minkkinen \ud83d\ude0davec un corps mis en sc\u00e8ne en fusion avec la nature inspir\u00e9e de sa Finlande \ud83c\uddeb\ud83c\uddee natale (cam\u00e9ra obscura<\/a><\/em>). N\u00e9 1945 \u00e0 Helsinki, le photographe vit \u00e0 Boston. \u00c0 80 ans, il continue de se jeter nu dans les lacs gel\u00e9s, d’imaginer des bras-branches, des t\u00eates-rochers. Sans trucage, juste gr\u00e2ce \u00e0 des poses longues. Avec plus de 100 solos, Arno Rafael Minkkinen est une l\u00e9gende.<\/p>\n\n\n\n

Claudia Fuggetti la nature comme entit\u00e9 vivante<\/h2>\n\n\n
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Claudia Fuggetti (n\u00e9e en 1993 \u00e0 Tarente, en Italie) est artiste visuelle et photographe. Son travail explore les intersections entre la nature, la technologie et les perceptions contemporaines de la transformation selon sa galerie : cam\u00e9ra obscura<\/a><\/em>. \u00c0 Paris Photo, son projet M\u00e9tamorphis invite \u00e0 reconsid\u00e9rer la nature \ud83c\udf43en tant qu\u2019entit\u00e9 vivante et respirante. L’Italienne excelle dans les portraits macro. Ceux des plantes et des animaux comme ceux des corps humains : veines\/yeux\/respiration. Elle travaille \u00e0 la chambre 20×25 cm et effectue un d\u00e9veloppement manuel.<\/p>\n\n\n\n

Photos : vues du salon Paris Photo – photo d’ouverture Chlo\u00e9 Milos Azzoppardi \u00ab\u00a0Graines\u00a0\u00bb <\/p>\n\n\n\n

Paris Photo 2025<\/a><\/strong><\/p>\n\n\n\n

Grand Palais du 13 au 16 novembre 2025<\/p>\n\n\n\n

Article li\u00e9 Paris photo 2025 urgence climatique<\/strong><\/p>\n\n\n\n

Paris Photo focus nature<\/a><\/strong><\/p>\n\n\n\n

Chlo\u00e9 Azzopardi \u00e9co photo r\u00e9sistance<\/a><\/strong><\/p>\n\n\n\n

Paris Photo Rodrigo Braga feu chamanique<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Paris photo 2025 urgence climatique. Une s\u00e9lection de photographes qui allient beaut\u00e9, imaginaire, technique et engagement \u00e9cologique<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[2869,154,5622,166,168],"class_list":["post-24921","post","type-post","status-publish","format-standard","hentry","category-blog","tag-climat","tag-nature","tag-paris-photo-paris-photo-2025","tag-photographe","tag-photographie"],"yoast_head":"\nParis Photo 2025 urgence climatique - FineLife.tv<\/title>\n<meta name=\"description\" content=\"Paris photo 2025 urgence climatique. 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